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Fela Kuti The life of Fela is full contradictions, which is part of what makes him so fascinating. People who love him accept the bad parts of him. His songs are usually 20 minutes or more, and sung in a dense Pidgin English that is almost incomprehensible. His music is influenced by Christian hymns and classical music. He also incorporates jazz, Yoruba, and highlife with horns and guitars. He was a musician Fela Kuti embodied the idea that music is an instrument for change. He used his music to advocate for social and political changes, and his influence can be present in the world in the present. Afrobeat is a style of music that blends African and Western influences. Its roots lie in West-African high-life and funk, but it has since evolved into a distinct style. His political activism was ferocious and unflinching. He used his music to speak out against corruption in government and human rights abuses. Songs like “Zombie”, “Coffin for the State Head” and others were bold criticisms of Nigeria's government. He also used his residence, Kalakuta Republic, as an area for political activism and an opportunity to meet people who were like-minded. The production includes a massive portrait of his mother, who died in the past Funmilayo ransome-Kuti. She was a well-known feminist and activist. The actress who portrays her is Shantel Cribbs, who successfully conveyed her significance in the life of Fela. The play also focuses on her political activism. Despite her declining health she refused to be tested for AIDS and instead opted for traditional medicine. He was a singer Fela Ransome-Kuti was a complex man who used his music to facilitate political change. He is renowned for his creation of Afrobeat, which is a blend of funk and dirty African rhythms. He was also a relentless critic of Nigeria's governmental and religious leaders. Growing up with an anti-colonial feminist mother It's no surprise that Fela was interested in social commentary and politics. His parents wanted him to become a physician however, he had other plans. While he began in a more apolitical highlife fashion, a trip in America could alter his perspective forever. His music was profoundly inspired by his exposure to Black Power movements and the leadership such as Eldridge Clever and Malcolm X. He adopted a Pan-Africanism philosophy that would influence and inform his later work. He was a writer. Fela met Black Power activists such as Stokely Carmichael, and Malcolm X during his time in the United States. The experience inspired him to create a political movement called the Movement of the People, and to compose songs that expressed his thoughts about black activism and political consciousness. His ideas were expressed in public through the medium of yabis, which is a form of public speaking which was referred to as 'freedom of expression'. He also began to establish a strict ethical code for his group, which included refusing to take medication from Western-trained doctors. Fela returned to Nigeria and began building his own club in Ikeja. The frequent raids by officers and police were nearly constant. His Mosholashi-Idi Oro hangers repopulated the area surrounding the club with hard drugs, especially “bana” and “yamuna” (heroin). But despite this, Fela was a man of uncompromising integrity. His music is a testimony to his determination in challenging authority and demanding that popular ambitions are manifested in official goals. It is a legacy that will last for generations. He was a poet In his music, Fela used light-hearted sarcasm to discuss political and economic issues in Nigeria. He also made fun of his audience, government, and even himself. He also referred to himself in these shows as “the big dick in the small pond.” The authorities took his jokes lightly, and he was repeatedly arrested and imprisoned. He was also beaten by the authorities. He was eventually given the name Anikulapo, which translates to “he is carrying his body in his purse.” In 1977, Fela released a song called “Zombie” in which he compared soldiers with mindless zombies who followed orders without any question. This irritated the military, which raided the Kalakuta Republic, burning it down and beating its inhabitants. In the course of the raid, the mother of Fela was thrown out of her second-floor window. In the years after Nigeria's independence, Fela created Afrobeat, an genre of music that combines jazz with native African rhythm. His songs attacked European cultural imperialism and defended traditional African beliefs and cultures. He also criticised fellow Africans for disrespecting the traditions of their homeland. He also stressed the importance of human rights and freedom. He was a hip-hop artist Fela Anikulapo Kuti, trumpeter and saxophonist was born in Abeokuta in 1938. He is a pioneer in Afrobeat music. He was influenced by jazz, rock, and roll, as well as traditional African music, chants and music. After his trip to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement, and her ideas impacted his work dramatically. After his return to Nigeria, Fela began using his music as a tool for political purposes. He criticised the government of his native country, and argued against Western sensibilities that affected African culture. He also wrote about social injustices and human right abuses. fela railroad settlements was arrested repeatedly for his criticism of military. Fela was also a fervent advocate of marijuana in Africa that is also known as “igbo”. He also held “yabis” (public discussions) at Afrika Shrine, where he would mock government officials and express his views on the freedom of expression as well as the beauty of women's body. Fela had a harem, which was a group of women who performed in his shows, and also backed him vocally. He was a dancer Fela was a master of musical fusion. He incorporated elements from beat music and highlife to create his own unique style. He was a prominent African musician and vocal critic of colonial rule. Despite being tortured and arrested by the Nigerian military junta and seeing his mother killed, Fela refused to leave the country. He died from complications due to AIDS in 1997. Fela was a well-known political activist who was critical of the oppressive Nigerian Government and supported the ideals of Pan Africanism. His albums, like 1973's Gentleman focused on the oppression of both government and colonial parties. He also promoted black-power and criticised Christianity, Islam and other non-African influences for dividing the people of Africa. The title track of an album released in 1978, Shuffering and Shmiling, describes the over-crowded public buses filled with poor workers “shuffering and shmiling.” Fela was a strong opponent of hypocrisy in religion. The dancers of Fela were an excellent match for his music. They were vivacious, sensual, and regal. Their contributions were as significant as Fela's lyrics. He was a political activist Fela Kuti used music as a tool to challenge oppressive authorities. He adapted his knowledge of American jazz and funk to African styles and rhythms and created an ear that was ready for fight. Most of his songs begin as slow-burning instrumentals. He layers notes, riffs and other elements until they explode with a sense of urgency. In contrast to many artists who were afraid to speak out about their politics, Fela was fearless and uncompromising. He stood in his convictions even when it was dangerous to do so. His mother, Funmilayo Runsome-Kuti, was an avowed feminist who was the leader of the Nigerian Women's Movement. His father was a protestant minister and the teacher's union president. He also established Kalakuta Republic – a recording studio and commune that was an emblem of the resistance. The government raided the commune, destroying the property and injured Fela badly. He refused to relent, though, and continued to protest against the government. He died from complications of AIDS in 1997. He was succeeded by his son, Femi, who continues to carry on his musical and political legacy. He was a father Music is often viewed by many as a political act. The lyrics of musicians are used to call for a change. But some of the most effective musical protests don't use words in any way. Fela Kuti is one of these artists and his music is heard today. He pioneered Afrobeat, combining traditional African rhythms and harmonies with jazz and funk, inspired by artists like James Brown. Fela's mother, Funmilayo Ransome-Kuti was a militant and unionist who was a fighter against colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in the idea of a Nigeria which served its entire population. Seun Fela's Son is carrying the legacy of his father through a group dubbed Egypt 80. The band is on tour around the world this year. The Egypt 80's music combines the sound of Fela with a sharp critique of the power structures that exist in the present. Black Times will be released by the end of March. Many fans attended the funeral and paid tributes at Tafawa Balewa Square. The crowd was so big that police were forced to shut off the entrance to the location.